Doctor Strange in a multiverse of madness It hits theaters this week, bringing to life the 28th film within the Marvel Cinematic Universe. As its title implies, The multiverse of madness Not only will it advance the story of Stephen Strange (Benedict Cumberbatch) and his countrymen, but it will serve as a unique flashpoint for the MCU, unlocking its living multiverse and introducing other worlds where stories can be told. In the process, it will also be the first superhero movie in over fifteen years from director Sam Raimi, who has taken over the lead The multiverse of madness Following the departure of Scott Derrickson in early 2020. Remy worked on The multiverse of madness It really felt important on multiple levels – not only because the film’s premise could perfectly fit into Raimi’s lovable, horror-filled directing style, but because the film could highlight more of the robotic and genre-defining work he did in the original Sony Spider Man movie trilogy.
There were culturally successful superhero films before 2002 Spider Man? Absolutely – by Richard Donner Superman: The Movie DC’s Man of Steel cemented the character as an icon in 1978, and Tim Burton’s Batman She created the self-described Batmania in the summer of 1989. On the other hand, Marvel was not very successful, as its cinematic efforts in those surrounding years consisted of a notorious movie Howard the duck Movie in 1986, a television movie revolving around Incredible Hulk In 1988, an inaccurate comic adaptation of the punisher In 1989, 1990 captain America The movie that didn’t even get a theatrical release, 1994 The Fantastic Four A movie created under these specific circumstances that comes close to being an urban legend. Until 1998 code, which was already a hit upon its release and hasn’t devolved further into a cult classic, it was definitely a darker, non-superior look at what the Marvel universe had to offer. 2000 X-Men It seemed to move the needle a bit in the right direction, but it was still wrapped in an embarrassing sheen of dark leather costumes and inexplicable changes from the source material, all of which seemed almost embarrassing at how weird and funny Marvel Comics could be.
Enter Remy Spider Man, which swept theaters in all its glory in the summer of 2002, bringing with it all the aesthetic and tonal quirks that were largely missing from its recent Marvel predecessors. Instead of stark color palettes and crowded black leather costumes, the film was filled with pops of color, light rock needle drops, and a crisp, subtle color outfit. (Even Willem Dafoe’s Green Goblin costume, which had a slightly more armored hull than its comic counterpart, still shimmered in brilliant green and unmistakably conveyed “Green Goblin.”) While X-Men Try a bit hard to emulate the very cool action movies of the school that dominate the box office, Spider Man He ran full speed ahead in the other direction, portraying Peter Parker (Tobey Maguire)’s journey as tactful, dorky, and honest in every possible way.
In the midst of Peter mastering his powers on the web and becoming a budding vigilante, he has had to deal with many of the usual upheavals of being a teenager: falling in love with and losing his high school sweetheart, mourning the loss of a loved one, and dealing with the disapproval of his best friend’s father. Under Al-Rimi’s direction, this focus not only made the film’s final narrative core (Goblin, whose best friend’s father secretly died, who accidentally died in a fight with Spider-Man) more poignant, but it brilliantly simulated a reading experience. Spider Man Comedy, notably Stan Lee and Steve Ditko’s original work on the character. At the same time, he was deeply accessible to the general public, as evidenced by the record-breaking $825 million box office, and by the reviews he named ‘Uncertainly entertaining’And “Pure Popcorn Movie”And “A welcome break from the usual 2D renderings.” In hindsight, it seems impossible to imagine anyone else outside Raimi producing such an end result, as his outspoken love of comic books, genre storytelling, and filmmaking creativity (as shown previously with films like The Evil Dead, Darkman, And dark army), completely collided with a file Spider Man It will require adaptation.
At that time, it was perhaps easy to dismiss Al-Rimi’s innovative and venerable work Spider Man Like lightning in a bottle, something that could have easily vanished if another part failed in the future or if the public simply stopped paying attention to it. This has not proven to be the case, like in 2004 spider man 2 It was arguably more acclaimed, grossing $788.6 million worldwide, nominated for multiple Academy Awards, and considered one of the best superhero films of all time. It’s easy to see why the honor was awarded, from Raimi’s constant use of the film’s dreamy aesthetics and tone, to the emotional and bitter rivalry between Peter and Doc Ock (Alfred Molina), to treating Peter’s work-life balance like a Spider-Man.
Then the success of the first two films led to 2007 spider man 3which (at the time) had the honor of being the most expensive movie ever made, with a budget of $250 million. In the film, Peter’s future as a young and superhero is brought to the fore, as he faces off against the Sandman (Thomas Hayden Church), a new Green Goblin (James Franco), and Venom (Provide Grace), the latter of whom were added at the studio’s request. While spider man 3 Receiving a more divisive response than its predecessors (mainly due to the addition of Venom, which packed the film and took a major turn in Peter’s story), it still made $894.9 million, and garnered enough positive buzz to garner the prospect of three more sequels. Even with its flaws, spider man 3 It proved to be a unique display of Raimi’s storytelling abilities, taking things into darker, darker, more emotional territory than the past two films. It also showed a wide audience the kind of ever-escalating narrative that runs across superhero comics, with a crossover between different villains and a satisfying emotional arc for its hero. There’s also no denying how ambitious it is to create a financially successful and honest comics trilogy for superhero movies, which is something X-Men And code MLM did not succeed in withdrawing at the same time.
With countless message boards and fan campaigns continuing to prove, Sam Raimi has worked on Spider Man The trilogy is nothing less than a revelation. Not only has Raimi proven that Marvel movies can be incredibly financially viable, but they can also be He is Marvel movies at their core, rather than just movies about Marvel characters. In the years since, we’ve seen time and time again that the right character, cast and crew, and respect for source material can help audiences fall in love with Marvel characters — the successful formula Raimi originally provided can work. Like Sam Raimi The multiverse of madness On the verge of introducing the postmodern approximation of what superhero movies have become, it’s hard to deny that without his work it would have looked very different. Spider Man.
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